![]() Harry Potter faces many battles with bullies on his quest to get through school and defeat Voldemort. The Bully loves to force the main character to grow in some way. This villain is almost defeated and can be a henchman for a bigger evil within the story. These villains like to throw their weight around, but rarely cause any lasting harm to the hero. The Bully makes frequent appearances in children and young adult (YA) fiction. #The pathless villain movieThe characters then spend the rest of the movie trying to trap the villain in his sarcophagus again. The best example of this villain would be The Mummy franchise, starring Brendan Fraser and Rachel Weisz.Įvery Mummy movie starts with someone purposefully or accidentally releasing the power of the Mummy. The Ancient Evil likes to lurk in epic fantasy novels and comic books. No one can, which means your hero will need to do something amazing to beat them. This villain wants to destroy everything, get revenge, or plunge the world into darkness under their reign of terror. Or they have a devout follower that they have convinced to do their bidding. It likes to hide in some object and entice the weak into doing something they shouldn’t, like unleashing this villain type on the world. The Mustache Curler loves to seep his way into children’s stories to scare them for a time before diving under their beds in shame after their defeat. The hero always overthrows their bid for world domination. They’re always taunting and challenging the hero to do something about his evil plan. This villain makes sure that you know they are a villain. If you’re stuck, there are seven well-loved archetypes you can use: The Mustache Curler There are so many different types of villains that it can be hard to choose which archetype to use in your story. ![]() They’re smarter, more cunning, and want to rule the world.Īnd there are several archetypes we can use. They are more intense than our antagonists. On the other hand, villains want to cause harm and chaos while also making things more difficult for our protagonist. They want to make things difficult, but they aren’t going to do something to cause harm specifically. While they both like to give our hero grief, antagonists typically are not evil. Villains constitute an essential evil agency in the plot.ĭoes this definition sound a little familiar? It did to me too.Ī villain is a little different than our antagonist. They’re malicious and devoted to wickedness or crime. Villain: is a character working actively against the protagonist. Let’s start by defining what our villain is. #The pathless villain how toTo do that, we need to know what a villain is and how to make them worthy of a story. So we need to craft a fantastic opponent for our main characters to duke it out with. Their life has no meaning, which makes things dull for your reader. Sure the protagonist has to accept the challenge that your villain issues, but without that push back from the villain, they have nothing to do. Villains drive your plot forward, not the protagonist. The hero of your story isn’t the most important character. ![]() An all-important truth has become clear to me recently. ![]()
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